Following Dialogues aux abords de la 323, Paysages transitoires  revisits the technique of double exposure. While digital photography is favoured this time, the selected images are carefully paired according to their composition. The combinations lead to intriguing encounters — the improbable landscapes that emerge are reminiscent of surrealist themes. The format, both in size and medium, is deliberately chosen so as to evoke the daguerreotype, offering a modern interpretation of an early photographic process.